From September 12 to 16, the cultural exchange activity "Encounter of 
Civilization: Jiangsu Week of Chinese Kunqu Opera" was held in Paris, France. 
Featuring classic performances, interactive dynamic displays, thematic 
exhibitions, academic discussions, and more, it presented a rich cultural feast 
of Kunqu Opera for the people of France.

For two consecutive days, the South Kunqu Opera version of "The Peony Pavilion" 
by Jiangsu Kun Opera Theater played to a full house at the Theatre Libre in 
Paris. This production faithfully showcased the masterpiece as presented by 
Master Zhang Jiqing from the Jiangsu Kun Opera Theater, who had astounded Paris 
with this same version 37 years ago, according to Jiangsu International Culture 
Association. The brilliant performance, lasting over two hours, received seven 
curtain calls with lead actors Kong Aiping and Shi Xiaming. Many French 
audience members expressed that despite their first encounter with Kunqu Opera, 
they could feel the beauty within it, which they found to be not only Eastern 
but also a part of humanity's intangible cultural heritage.

In addition to the performances, this event included a rich array of 
exhibitions, seminars, and outreach activities such as Kunqu Opera in schools. 
The actors also organized flash mobs at iconic landmarks like the Eiffel Tower 
and Arc de Triomphe, engaging with the local people on the streets.

The "Emotions Unveiled, Affections Explored: A Special Exhibition on Chinese 
Kunqu Opera Culture" held at the Guimet Museum, also known as the National 
Museum of Asian Arts, comprehensively showcased the history, texts, props, 
costumes, musical instruments, and international exchanges related to Kunqu 
Opera. It presented a panorama of the inheritance and development of Chinese 
culture, as well as the modernization of Jiangsu Province in the Chinese 
context.

During the international symposium held at the China Cultural Center in Paris, 
cultural scholars from countries including France, the United Kingdom, Italy, 
and the Netherlands focused on the theme of "Kunqu Opera in Our Era: 
Cross-Cultural Dialogue and Civilization Exchange" for discussions and 
exchanges. Maria Shevtsova, a fellow of the European Academy of Sciences and a 
professor of Drama at the University of London, stated that Kunqu Opera has 
continuously explored various aspects of human artistic expression. It combines 
singing, dancing, and theatrical costumes into a harmonious whole, showcasing 
the dignity of human creativity.

Kunqu Opera, often referred to as the ancestor of a hundred operas, originated 
between the 14th and 17th centuries in the Kunshan region of Suzhou, near 
today's Shanghai. Over the following 600 years, it merged with regional 
cultures across China, giving rise to various distinctive schools and styles. 
The delegation performing in France hails from Jiangsu, the birthplace of Kunqu 
Opera, and is acclaimed by Kunqu enthusiasts for its "Southern Kun Style". The 
eight major Kunqu Opera troupes active across China possess their own regional 
characteristics and unique beauty. With support and enthusiasm for culture from 
all segments of Chinese society, Chinese traditional theater arts have entered 
a more confident stage today.

Art knows no borders, and culture finds common ground. Nowadays, through online 
channels, audiences from all over the world can experience innovative 
expressions of Chinese traditional culture, even if they are thousands of miles 
away. Follow the "China Culture & Art" media cluster on Facebook and YouTube, 
and join the #Echoesofkunqu hashtag to share stories of Chinese opera from your 
own experiences. Feel the enduring charm of China's outstanding traditional 
culture.

Source: Jiangsu International Culture Association

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   Caption: Poster of Chinese Kunqu Opera