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Wednesday, September 18 2019 - 06:55
AsiaNet
Artprice by Art Market: the Geopolitics of the 15th Lyon Biennale
PARIS, September 18, 2019, /PRNewswire-AsiaNet/--

Some fifty artists have been commissioned this year to produce in situ artworks 
at the former Fagor factories in Lyon. It's the first time the Lyon Biennale 
will make use of the 29,000m² site located not far from the highly symbolic 
spot where the Saône flows into the Rhone. Entitled "Where Water Comes Together 
with Other Water", from a poem by the American writer Raymond Carver, the theme 
of mixity has clearly been singled out as the dominant focus of this 2019 
edition and the whole thing has been put together by the young team of curators 
from the Palais de Tokyo in Paris. 

The Lyon Biennale is seeking to establish itself as a major event in the 
international Contemporary Art calendar and is supported by a substantial 
budget; but its primary responsibility is to highlight French culture and 
promote France's power and influence. The result is of course a delicate 
balance that has to be re-imagined every two years... a challenge for its new 
Director Isabelle Bertolotti.

https://imgpublic.artprice.com/img/wp/sites/11/2019/09/15th-biennale-lyon-2019.jpg


thierry Ehrmann, Artprice's CEO/Founder, explains "Created in 1991 by Thierry 
Raspail, the Lyon Biennale has become one of the most remarkable cultural 
events of its kind worldwide. I particularly remember the legendary 2000 
edition when Jean-Hubert Martin achieved a veritable tour-de-force with his 
Biennale entitled Shared Exoticism. The event was exceptionally coherent and 
relevant, a direct and logical suite to his founding exhibition The Magicians 
of the Earth presented in 1989 at the Pompidou Center. 

Steered by Thierry Raspail for nearly 30 years, the Lyon Biennale has earned a 
global reputation and has been supported – in particular for Shared Exoticism – 
by its institutional partner Artprice and the Organe Contemporary Art Museum 
which manages The Abode of Chaos. Over the years it has come to overshadow the 
Paris Biennale, founded by André Malraux in 1959 and the last edition of which 
was in 2008."

The Lyon Biennale is today at a crucial juncture with the first change of 
management in its history and the arrival of Isabelle Bertolotti. Recently 
appointed Director of the Museum of Contemporary Art of the City of Lyon, 
Bertoletti is expected to set the Lyon Biennale on a new path and her first 
project is indeed ambitious: "This 15th edition of the Lyon Contemporary Art 
Biennale is devised as an ecosystem at the intersection of biological, economic 
and cosmogonic landscapes. It bears witness to the shifting relationships 
between human beings, other living species, the mineral kingdom, technological 
artefacts and the stories that unite them"

The curators and artists involved in this year's Lyon Biennale have been 
working with a number of obligations and constraints. First and foremost among 
these are related to the place itself: a huge factory located outside the city 
center and preserved in its original state, with its original demarcation, its 
abandoned machinery and its visible wear and tear. The artists – most of whom 
have had very little exposure in France and often no auction history to their 
names – have been asked to work with local artisans from the Rhone Valley 
basin. One third of them are French and a strict gender balance has been 
applied.

The Biennale is by no means confined to the vast Fagor space; there are 
manifestations throughout the region. The new format is organized around four 
complementary platforms: the Museum of Contemporary Art in Lyon, which is 
acting as an outgrowth of the main exhibition with 6 artists including the 
famous duo Gregory & Daniel GICQUEL & DEWAR; the Young International Creation 
which – as in the past – will occupy Villeurbanne's Institute of Contemporary 
Art; Veduta which promotes meetings between artists and the region's 
inhabitants; and a broad program of associated exhibitions, including 
exhibitions in Resonance with the Biennale at various galleries and cultural 
venues in the region. In all, the event will use 150 venues and will encompass 
not only the field of Contemporary Art but also literature, dance, theater, 
music and cinema.

An internationally recognised and appreciated artistic event, the Lyon 
Contemporary Art Biennale is one of the five most important biennales after 
Venice. The previous edition attracted more than 300,000 visitors, its 
best-ever attendance. The 2019 edition is far more ambitious with larger 
spaces, major installations, deeper regional networking and unprecedented 
bridges between the art world and the world of business and commerce.

In 1999, in conversation with thierry Ehrmann, Thierry Raspail perfectly summed 
up his vision of the Lyon Biennale…. "Biennales are geo-political acts. They 
mark the territory between where there is everything and where there is 
nothing..." , a bold statement that highlights with rare clarity the primary 
and underlying logic of Biennales wherever they are staged. 

Copyright ©1987-2019 thierry Ehrmann – www.artprice.comwww.artmarket.com
About Artprice:
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SOURCE: Artprice.com
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