Country for PR: United Kingdom
Contributor: PR Newswire Europe
Tuesday, July 06 2021 - 23:00
AsiaNet
Artmarket.com: Artprice sees explosion of Contemporary Art and the Hi-Lite Movement in Southeast Asia
PARIS, July 6, 2021, PR Newswire-AsiaNet/--

Hong Kong's art auction market is about to post its best-ever first semester on 
record. According to our data, so far this year the city has generated 15% of 
total global fine art auction turnover. This growth is all the more remarkable 
as it is very largely based on sales of Contemporary and even 
Ultra-Contemporary art. Moreover, the Hong Kong model is now being exported to 
other countries in the region, including South Korea and Japan. 

"An uninhibited market is rapidly emerging throughout Southeast Asia," says 
thierry Ehrmann, President and Founder of Artmarket.com and its Artprice 
department.

Strong demand for "Popular art" 

Following in the footsteps of Hong Kong and equally capable of attracting 
masterpieces from both traditional Chinese painting and works by American 
superstars, Seoul and Tokyo are in turn asserting themselves as art market 
hotspots. Around their great national artists, these two markets are helping to 
expose a whole new generation of young stars, led by Nicolas Party, Ayako 
Rokkaku and even Mr Doodle.

These artists can be associated with what Christie's dubbed the "Hi-Lite" 
movement in reference to an art form that is 'lighter' (i.e. less intellectual) 
and more open to popular culture. This movement – which burst onto the 
international scene in 2019 – was immediately undermined by the health crisis. 
It has nevertheless found an echo in the booming NFT market and undoubtedly 
also that of Pokemon cards. Both posit the value of a popular, free, jubilant 
art... even if a little childish.

www.prnewswire.com/news-releases/artprice-by-artmarketcom-hong-kong--capital-of-the-new-hi-lite-movement--remains-unperturbed-300966852.html


With or without the major auction houses...

Hong Kong has been successful in attracting and then retaining the most 
prestigious auction houses on the planet including the Chinese operators Poly 
and China Guardian and the Western operators Sotheby's, Christie's and 
Phillips. However, it now seems they are unlikely to need additional auction 
rooms in Southeast Asia... at least not in the near future.

With 18 works having already fetched over $10 million this year, Hong Kong is 
clearly the most powerful hub among high-end Southeast Asian art capitals 
(excluding mainland China). But the experience of Singapore and that of Manila 
– where sales soared between 2007 and 2014 before falling sharply – reminds us 
it is not easy to build a sustainable art market in this region. In Taiwan 
turnover has contracted in 2020 and Taipei is now falling behind its neighbors.

Basquiat no. 1 in Hong Kong

The top three results of H1 2021 in Hong Kong have been hammered for works by 
the superstar Jean-Michel Basquiat. Indeed, sales of works by the American 
prodigy – who died prematurely of an overdose aged 27 – literally exploded at 
the start of the year in Asia. Three canvases, a drawing and a print have 
fetched a total of $120 million: Hong Kong has therefore hammered 36% of 
Basquiat's total global turnover in H1 2021... five times more than London.

The Hong Kong art market is also showing continued strong demand for Lyrical 
Abstraction. Chu Teh-Chun's painting Winter Harmony (1986) outperformed Zao 
Wou-Ki's works in H1 2021 (which generated $21 million). Zhang Daqian's 
strange, almost abstract landscape titled Temple at the Mountain Peak (1967) 
sold for $27 million.
In Seoul, a colorful bouquet by Marc Chagall, Les Jardins de Saint Paul (1973), 
sold for $4.4 million at K-Auction. In Tokyo, Pablo Picasso's post-Cubist 
Bouteille et compotier (1922) fetched the best result at $1.5 million, followed 
by Yoshitomo Nara's Lollipop (1998), which fetched $750,000. The Japanese 
Contemporary art star is one of the emblematic figures of the Hi-Lite movement.

Images:
[https://imgpublic.artprice.com/img/wp/sites/11/2021/07/image1-artmarket-artpric
e-southeast-asia-annual-auction-turnover.png]
[https://imgpublic.artprice.com/img/wp/sites/11/2021/07/image2-liu-ye-takashi-mu
rakami-mr.jpg]

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Artmarket is a global player in the Art Market with, among other structures, 
its Artprice department, world leader in the accumulation, management and 
exploitation of historical and current art market information in databanks 
containing over 30 million indices and auction results, covering more than 
770,000 artists.

Artprice Images(R) allows unlimited access to the largest Art Market image bank 
in the world: no less than 180 million digital images of photographs or 
engraved reproductions of artworks from 1700 to the present day, commented by 
our art historians.

Artmarket with its Artprice department accumulates data on a permanent basis 
from 6300 Auction Houses and produces key Art Market information for the main 
press and media agencies (7,200 publications). Its 4.5 million 'members log in' 
users have access to ads posted by other members, a network that today 
represents the leading Global Standardized Marketplace(R) to buy and sell 
artworks at a fixed or bid price (auctions regulated by paragraphs 2 and 3 of 
Article L 321.3 of France's Commercial Code).

Artmarket with its Artprice department, has been awarded the State label 
"Innovative Company" by the Public Investment Bank (BPI) (for the second time 
in November 2018 for a new period of 3 years) which is supporting the company 
in its project to consolidate its position as a global player in the market art.

Artprice by Artmarket's 2020 Global Art Market Report published in March 2021:
https://www.artprice.com/artprice-reports/the-art-market-in-2020

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Source: Artmarket.com
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